Mots-clés Archives: oral

MY FAIR LADY – Alan Jay Lerner & Frederick Lowe For Hen­ry Hig­gins, pro­fes­sor of lin­guis­tics and confir­med miso­gy­nist, trans­for­ming a stree­tur­chin into a lady is a tri­vial task, done to honour a bet with his friend Colo­nel Picke­ring. Until, of course, he meets the proud lit­tle cock­ney, Eli­za Doo­lit­tle, and finds that his raw mate­rial might not be so …

“Il était une fois : LA TRA­VIA­TA” d’a­près Ver­di et Dumas, ou la célèbre et inou­bliable his­toire de la Dame aux camé­lias. Vous serez trans­por­té dans cet uni­vers plein de contra­dic­tion, de sacri­fice et de morale qui arrange sur­tout ceux qui la font ! Un concept unique de spec­tacle lyrique avec lien de texte conti­nu per­met­tant une approche sim­pli­fiée et magni­fiée de l’oeuvre …

Don Giovanni – W.A. Mozart Set in the Spa­nish Catho­lic socie­ty of the 17th Cen­tu­ry, it places the flam­boyant free­dom-loving sedu­cer in the most moral­ly repres­sive envi­ron­ment pos­sible, but Don Gio­van­ni’s refu­sal to repent makes him one of the first great modern anti-heroes. Ted­dy Tahu Rhodes pulls on his thigh length boots once more to sing the role which he …

In an artis­tic coup for our natio­nal ope­ra com­pa­ny, Richard Hickox conducts a new pro­duc­tion of The Tales of Hoff­mann direc­ted by Stuart Maun­der and fea­tu­ring one of Aus­tra­lia’s most exci­ting artists, Emma Mat­thews, playing four dif­ferent roles to create Hoff­mann’s ulti­mate woman. The star­ry-eyed Hoff­mann is entran­ced by Olym­pia, sedu­ced by Giu­liet­ta and obses­sed by fra­gile Anto­nia, and when he …