Accueil / A voir / Centre d’Arts de Melbourne : Don Giovanni, W.A. Mozart, from 14 November 2007 to 14 December 2007

Centre d’Arts de Melbourne : Don Giovanni, W.A. Mozart, from 14 November 2007 to 14 December 2007

Don Giovanni – W.A. Mozart

Set in the Spanish Catholic society of the 17th Century, it places the flam­boyant free­dom-loving sedu­cer in the most morally repres­sive envi­ron­ment possible, but Don Giovanni’s refu­sal to repent makes him one of the first great modern anti-heroes.

Teddy Tahu Rhodes pulls on his thigh length boots once more to sing the role which he has made his own. Joining him is John Pringle as his jaded side­kick Leporello, Kate Ladner as Donna Anna and Fiona Janes as feisty Donna Elvira. Tiffany Speight is Zerlina to Richard Anderson’s Masetto and, as the Commendatore, fellow New Zealander Jud Arthur will stop Teddy Tahu Rhodes in his tracks. To conduct this master­piece, Opera Australia welcomes Hungarian Imre Palló, making his debut with the company.

Don Giovanni – W.A. Mozart
From : 14 November 2007 – To : 14 December 2007

Don Giovanni
Teddy Tahu Rhodes

Baritone Teddy Tahu Rhodes was born in Christchurch and studied with Mary Adams Taylor. At the age of twenty, he recei­ved the Dame Sister Mary Leo Scholarship, and in 1991 he won the Mobil Song Quest. In London in 1991–1992, Teddy studied with Rudolf Piernay at Guildhall, and subse­quently with David Harper, and he was a fina­list in The Kathleen Ferrier Award. In 1999, he repre­sen­ted New Zealand in the Cardiff Singer of the World compe­ti­tion.

Teddy’s inter­na­tio­nal appea­rances include a reci­tal in London in the Young Songmakers Almanac Series, a perfor­mance at the Salt Lake City International Concert Series, and a tour of Japan with Christchurch pianist Maurice Till. His frequent enga­ge­ments throu­ghout New Zealand include Marcello in Puccini’s La Bohème for Canterbury Opera, Méphistophélès in a concert version of Gounod’s Faust for Christchurch City Choir, Tippett’s A Child of Our Time with NZSO, and Escamillo in an arena produc­tion of Bizet’s Carmen in Auckland.

Teddy made his Australian opera­tic début in 1998 as Dandini in Rossini’s La Cenerentola for Opera Australia. The follo­wing year, he sang Sharpless in Puccini’s Madama Butterfly with Canterbury Opera ; Silvio in Leoncavallo’s I Pagliacci and Marcello for Opera New Zealand ; Handel’s Messiah in Melbourne, Sydney and Dunedin ; and concerts with Christchurch Symphony and at the Spray Farm Summer Festival in Australia.

His enga­ge­ments include a return to Opera Australia as the Count in Mozart’s Marriage of Figaro and Demetrius in Britten’s A Midsummer Night’s Dream ; Mozart’s “Coronation” Mass with Sydney Symphony Orchestra ; Messiah and Fauré’s Requiem with Queensland Symphony Orchestra ; Mozart’s Requiem for Melbourne Chorale ; his début recor­ding for ABC Classics of the bari­tone solos in Fauré’s Requiem and La Naissance de Vénus ; and a return to Sydney for Messiah and Bach’s St John Passion. In September, Teddy made his American début with San Francisco Opera as Joe in the world première of Jake Heggie’s Dead Man Walking, an opera based on the film of the same name.

In 2001 he joins Opera Australia as resident prin­ci­pal artist, perfor­ming the roles of Guglielmo in Mozart’s Così fan tutte, Count Boni Káncsiánu in Kálmán’s The Gipsy Princess, Belcore in Donizetti’s L’elisir d’amore, and the Herald in Wagner’s Lohengrin, and will sing Mozart’s Requiem with the Tasmanian Symphony.

Teddy is descen­ded from the pionee­ring Rhodes brothers who were farming on Banks Peninsula before the First Four Ships arri­ved in 1850.

Il Commendatore
Jud Arthur

Since his debut with Opera Otago in 1992, Bass-Baritone Jud Arthur has been a regu­lar perfor­mer both in New Zealand and Australia. In New Zealand, Jud has perfor­med the roles of Nourabad in The Pearl Fishers in Auckland and Wellington, Ramphis in the Wellington season of Aida, and Comte des Grieux in Manon in Auckland and Wellington for NBR New Zealand Opera ; Monterone in Rigoletto, Zaretski in Eugene Onegin and Masetto and Commendatore in Don Giovanni for Wellington City Opera ;
Wagner in Gounod’s Faust, Marchese d’Obigny in La Traviata and Banquo in Macbeth as well as Zuniga in the arena perfor­mances of Carmen for Alan Smythe Special Events for Opera New Zealand ; Zuniga, Lodovico in Otello, Angelotti in Tosca, Sparafucile in Rigoletto for Canterbury Opera ; the Bonze in Madama Butterfly for National Opera of Wellington and Zaccaria in Nabucco for Opera Wanganui and Raimondo in Lucia di Lammermoor for Hawkes Bay Opera ; Angelotti in Tosca, The Mikado in The Mikado and Don Alhambra in The Gondoliers for Opera Otago ; and Javert in Les Miserables for the Dunedin Operatic Society.

Jud’s enga­ge­ments in Australia include Angelotti in Tosca and The Speaker in The Magic Flute in 1999 and Colline in La Boheme in 2001, all in Melbourne for Opera Australia, Frere Laurent in Romeo et Juliette and a soloist in the concert entit­led Magnifico -Great Opera Encores in 2000 for State Opera of South Australia as well as Basilio in The Barber Of Seville for West Australian Opera and the bass soloist in Haydn’s The Creation for the Tasmanian Symphony Orchestra.

In 2005 for Opera Australia Jud’s roles inclu­ded Chelio in The Love for Three Oranges, Zuniga in Carmen, Colline in La Boheme, Duke of Verona in Romeo et Juliet and Angelotti in Tosca. He also appea­red in Opera Australia’s New Year’s Eve Gala Concert and in Mozart’s Requiem and Beethoven’s 9th Symphony, at Sydney Opera House.

Jud’s 2006 roles for Opera Australia were the Bonze in Madama Butterfly, Speaker in Die Zauberflote, Dottore Grenvil in La Traviata, Monterone in Rigoletto, Nilakantha in Lakme and Timur in Turandot. In May he appea­red in Canterbury Opera’s 21st Birthday Gala Concert and recently sang Zaccaria in Nabucco for West Australian Opera.

Donna Anna
Kate Ladner

Kate Ladner trai­ned at the Queensland Conservatorium. She has perfor­med Susanna in Le Nozze di Figaro (Opera Australia, State Opera of South Australia and West Australian Opera), First Lady in Die Zauberflöte, Frasquita in Carmen, Celestial Voice in Don Carlos, Stella in Les Contes d’Hoffmann, Nannetta in Falstaff, Zerlina in Don Giovanni, Cunegonde in Candide, Zerlina (Opera NZ), Marzelline in Fidelio (Opera Northern Ireland), Konstanze in Die Entführung aus dem Serail (Glyndebourne Touring Company), Violetta in La Traviata (UK tour);
Blonde in Die Entführung aus dem Serail (Stuttgart Opera/Wiesbaden), Woglinde / Der Waldvogel in Der Ring des Nibelungen (State Opera of South Australia), Elvira in L’italiana in Algeri, Flaminia in Il mondo della luna, Nannetta (Garsington Opera), Juliette in Roméo et Juliette (West Australian Opera and State Opera of South Australia).

Concert perfor­mances have inclu­ded Haydn’s Creation (Canterbury), Mozart’s Requiem (English Chamber Orchestra and Ulster Orchestra), Mozart Concert Queensland Philharmonic Orchestra ; soprano solos in Mendelssohn’s Midsummer Night’s Dream (Queensland Symphony Orchestra); title role in Manon (UK tour).

Don Ottavio
Jaewoo Kim

Born in Korea, Jaewoo Kim moved to Queensland in 1993 to study at the Queensland Conservatorium of Music. During this time he appea­red in seve­ral operas and perfor­med with the Queensland Symphony Orchestra. Jaewoo comple­ted his Bachelor of Music and post-graduate diploma at the Canberra School of Music.

Jaewoo was a fina­list in the pres­ti­gious National ABC Quest in 1995, winner of Opera Foundation’s Metropolitan Opera Awards, a contes­tant in the finals in New York in 1997, winner of the McDonalds Aria in 2000, and winner of the Australian Singing Competition 2002 Glyndebourne Festival Opera Award.

In 1998 he became a member of Opera Australia’s Young Artists’ Development Program and he has been a prin­ci­pal artist for the company since 2000. His roles for Opera Australia include Rodolfo in La bohème, Almaviva in Il barbiere di Siviglia, Jacquino in Fidelio, Arbace in Idomeneo, Servant in Capriccio, Francesco in The Gondoliers, Gastone in La traviata, Ferrando in Così fan tutte, Song Vendor/Lover in Il tabarro, The Shepherd in Tristan und Isolde, Nathanael in Les contes d’Hoffmann, Gastone in La Traviata for The 2002 Parks Concert and Beppe in Pagliacci. Jaewoo has sung in many concerts for Opera Australia, inclu­ding cele­bra­tion concerts for The Sydney Morning Herald’s 500,000th issue and the 25th anni­ver­sary of Opera on the House. He also sang Rodolfo in La bohème for Wellington National Opera.

As a concert artist, Jaewoo appea­red at Opera in the Vineyard in Queensland, in Haydn’s Nelson Mass for Tasmanian Symphony, and gave a lunch­time reci­tal for broad­cast on ABC Radio. His ever expan­ding Choral reper­toire includes the masses of Schubert and Haydn and Mendelssohn’s Elijah for Canberra Choral Society, Mahler’s 8th Symphony for the Canberra National Multicultural Festival, Bach’s Christmas Oratorio in Korea, Handel’s Messiah at Sydney Town Hall and Llewellyn Hall and Bach’s St. John’s Passion, Britten’s Spring Symphony and Janácek’s Glagolitic Mass for the Llewellyn Choir. More recent concerts include Messiah for the Korean Philharmonic Choir at Sydney Town Hall, Messiah in Sakhalin and Moscow in Russia under the baton of Lygia O’Riordan and Haydn’s The Creation for Opera Queensland.

Recent opera­tic roles include Don Ottavio in Don Giovanni and Tamino in The Magic Flute for Opera Australia, Gerard in Lakmé in New Zealand for Canterbury Opera and Arbace in a touring produc­tion of Idomeneo in Italy.

Roles in 2005 include Ferrando in Cosi Fan Tutte in Sydney and Tamino in Melbourne for Opera Australia and Ottavio in Don Giovanni for NBR New Zealand Opera. Concert enga­ge­ments include Shepherd/Sailor in Tristan and Isolde for Queensland Music Festival in Brisbane, Messiah with Sydney Philharmonia, Cassio in Otello and Beethoven 9 under the baton of Oleg Caetani for Melbourne Symphony as well as Beethoven 9 conduc­ted by Gianluigi Gelmetti for Sydney Symphony and Beethoven 9 for the Queensland Orchestra conduc­ted by Michael Christie.

In 2006 enga­ge­ments include the role of Tamino in The Magic Flute in the Sydney Summer season and Gerard in a new produc­tion of Lakmé in Melbourne and Sydney for Opera Australia.

Donna Elvira
Fiona Janes

Born in Sydney, Fiona Janes is currently one of Australia’s leading Mezzo sopra­nos having worked exten­si­vely throu­ghout Australia and Europe. She studied at the New South Wales Conservatorium of Music and has been the winner of nume­rous awards and singing compe­ti­tions, most nota­bly the 1983 Joan Sutherland Scholarship, 1986 Australian Singing Competition, winner of the inau­gu­ral 1991 Remy Martin Scholarship and the 1995 Vienna State Opera Award.

She joined Opera Australia’s Young Artist Programme in 1988 and since then has been a regu­lar Guest Principal Artist for the company perfor­ming all the major mezzo reper­toire inclu­ding : ‘Dorabella,’ ‘Zerlina,’ ‘Cherubino,’ ‘Annio,’ ‘Mercedes,’ ‘Lola,’ ‘Javotte,’ ‘Tessa,’ ‘Kate Pinkerton,’ ‘Sesto’ in both Julius Caesar & La Clemenza di Tito, ‘Angelina’ in La Cenerentola, ‘Rosina in Il barbiere di Siviglia,’ ‘Isabella’ in L’italiana in Algieri,’ ‘Composer’ in Ariadne auf Naxos, ‘Adalgisa’ in Norma and most recently ‘Mistress Quickly’ in Falstaff. For her perfor­mances as ‘Angelina’ and ‘Adalgisa’ she recei­ved the Victorian Green Room Award.

She has also perfor­med ‘Siebel’ in Faust for Victoria State Opera & Opera Queensland, ‘Nero’ in Aggrippina at the Buxton Festival, ‘Rosina’ for Netherlands Opera, English National Opera & Welsh National Opera, ‘Second Lady’ in The Magic Flute for English National Opera, ‘Sesto’ in La Clemenza di Tito for Glyndebourne Touring Opera, ‘Idamante’ in Idomeneo for Flanders Philhamonic in Antwerp, ‘Margherite’ in Damnation of Faust for the Royal Scottish National Orchestra & Opera Queensland, ‘Ascanio’ in Les Troyens for LSO with Sir Colin Davis, ‘Angelina’ at the Semperoper Dresden & Opera New Zealand, ‘Scitalce’ in Semiramide for Rossini Festival in Germany with Richard Bonynge and has also worked for the Royal Opera House Covent Garden and Scottish Opera.

She has recently recor­ded Meyerbeer’s Semiramide with Richard Bonynge soon to be relea­sed and Stravinsky’s Pulcinella for Naxos, Donizetti’s Parisina for Opera Rara, a Mozart Bicentennial Celebration for ABC Classics and Opera Australia and has video recor­dings of Cosi fan Tutte and Don Giovanni both with Opera Australia. Fiona begins 2007 with a concert in the Sydney Myer Music Bowl, Melbourne and will perform at Sydney Town Hall in a gala fundrai­sing concert for the Cancer Council Australia in March.


Leporello

John Pringle AM

Zerlina

Tiffany Speight

Maesetto

Richard Anderson

A propos de Fabien

Après avoir travaillé le chant au Centre d’Arts Polyphoniques de Paris, il entre en 1995 au Conservatoire de Gagny où il est l’élève d’Evelyne Razimowsky en classe de Chant et de Jean-Louis Calvani en classe d’Art Lyrique. Il poursuit ensuite son perfectionnement avec Florence Montana au Conservatoire de Vincennes, puis au Conservatoire de Musique de Nouvelle Calédonie.

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