Chanson d’Amour by soprano Sabine Devieilhe and pianist Alexandre Tharaud presents a passionate program of music by four composers, each of whom defined the path of the French art song, or mélodie, from the late 19th to the mid-20th century. Discover : https://w.lnk.to/cdaLY
« These four composers handled voice and piano, and their interplay, with enormous subtlety, » Alexandre explains. « Sometimes the piano can be like an orchestra, but it can also tone itself down in response to the text, achieving its aims with great economy of means. »